How to Impress a Marquess: Wicked Little Secrets #3 by Susanna Ives

How to Impress a Marquess: Wicked Little Secrets #3 by Susanna Ives

Susanna Ives on the blog today with the latest in her Wicked Little Secrets series. Please read on for my review, and an excerpt, a note from Susanna and be sure to enter the tour-wide giveaway where you could win One of Three sets of the Wicked Little Secrets Trilogy.

How to Impress a Marquess

I’m liking the Victorian era more and more – a time of great change in the UK, and many of the heroes and heroines tend to reflect their reactions to all these progressions.  In How to Impress a Marquess, what starts as a fairly typical and lighthearted story soon develops into much more: with hints of feminist ideology, a romance, plenty of growth and a wonderful ending.

Lilith is a bohemian in training – she’s got all of the ideology, she wants desperately to ‘make a splash’, but she’s still got a bit of conventional marriage, family, romance streak.  She is, however, a handful: often heedless to the wishes and feelings of others and far more naïve than she is willing to believe of herself.

George is the head of the family, and also Lilith’s guardian.  He’s spent years being told of his responsibilities, and he’s actually rather stilted by the constant focus on duty and appearances. He’s not unkind, just unused to thinking for himself in terms of his own happiness.  When he starts to discover the hidden layers and hurts that lie beneath his ward’s seeming devil-may-care approach to what others think of her, he’s genuinely confused.

Slowly the two start to reveal themselves, the deep recesses that no one is allowed to see. While Lilith truly sees the good in George, and wants him to show his love in her often immature visions, the two are growing closer. George is attracted and concerned about that attraction, worried of what people will think, and unsure about what these new feelings are.  A lovely light story that conceals hidden depths, bringing the heroine’s youth and inexperience into play as she schools the hero in many aspects, not the least of which is happiness.

How to Impress a Marquess: Wicked Little Secrets #3 by Susanna Ives

Title: How to Impress a Marquess
Author: Susanna Ives
Series: Wicked Little Secrets #3
Genre: British, Historical Romance, Victorian
Published by: Sourcebooks Casablanca
ISBN: 1402283636
Published on: 1 November, 2016
Format:eARC
Source: Publisher via NetGalley
Pages: 384
Rated: four-stars
Heat: One FlameOne Flame

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See this Title on Goodreads

TAKE ONE MARQUESS:
Proper, put-upon, dependable, but concealing a sensitive artist's soul.

ADD ONE BOHEMIAN LADY:
Creative, boisterous, unruly, but secretly yearning for a steadfast love, home, and family.

STIR in a sensational serialized story that has society ravenous for each installment.

COMBINE with ambitious guests at an ill-fated house party hosted by a treacherous dowager possessing a poison tongue.

SHAKE until a stuffy marquess and rebellious lady make a shocking discovery: the contents of their hearts are just alike.

Take a sip. You'll laugh, you'll swoon, you'll never want this moving Victorian love story to end.

A copy of this title was provided via Publisher via NetGalley for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.

 

 

Five Ways To Impress A Marquess

I didn’t title my book. I just called it “book” or “that &*%$! book” during its writing. My publisher came up with the catchy “How To Impress a Marquess.” However, for the first third of the book, my heroine, Lilith Dahlgren, couldn’t care less about impressing George, Marquess of Marylewick, and told him as much on numerous occasions. Hmmm, so maybe that should be my first “way” to impress the marquess.

  • Have a healthy disregard for the marquess’ opinion. After all, Lilith is a strong woman who knows her own mind. She doesn’t need some starchy marquess telling her what to do, how to behave, and what to think. The only reason she must interact with him is because he’s her trustee and keeps a tight handle on her purse strings.
  • Make the marquess a villainous sultan in your work of fiction. It is possible that Lilith was been attracted to the marquess all along. Why else would she have created such a sexy villain in her popular serialized story, which she published under a pen name? Even better, make a fictional heroine who is your alter ego. Through her fictional heroine Collette, Lilith puts into print all the tender parts of herself that she can’t show to George. Have your marquess fall in love with your fictional alter ego but never let him know that he is the villain. Warning: this is a very dangerous course and could later blow up in your face.
  • Wear tight clothes and flowing robes to entice him. This actually could be considered a subpoint of point two. Writing a story requires Lilith to sit for long periods of time and eat loads of toffee to fuel her creative brain. This really wreaks havoc on that famed Victorian waistline. Poor Lilith is popping her stays to fit in her clothes, so she usually flounces about the house in comfortable robes or shifts.
  • Dig into a painful secret from the marquess’ boyhood to reveal his true sensitive heart beating beneath the fusty exterior. For example, discover that he was once a talented artist who quit painting after numerous spankings ordered from his disapproving father. Force the marquess to face his old secrets and personal demons. Lilith finds George’s hidden boyhood art and tricks him into looking at it again. Of course, digging into a marquess’ past might not impress but anger him, so proceed with caution.
  • Love the marquess, not for his title, wealth, estates, or societal position. Love him with all your being for his kind heart and beautiful spirit. This is the most impressive point of them all.

 

Read an Excerpt

 

George stared at a painting of what appeared to be the blurred image of a woman with flowing hair. Or was that a flowing gown? In any case, something was flowing around her. Blobs of blue and green paint were splattered along her feet and around her head—if that indeed was her head and not another random blob.

“Good heavens, what blind sot vomited that?” George wondered.

The man’s jaw dropped. Tears actually misted his eyes. “I—I did.”

Damn. George should have known as much. “I’m sorry, my good man, I didn’t mean… It’s most colorful,” he grappled. “I admire the subtle depth in the shades of blue and so much symbolism in those…well, whatever those splotches are at the bottom.”

“Water lilies, Lord Marylewick,” a familiar dusky voice said. Behind the man, Lilith materialized in all her brilliance. “It’s A Muse Amongst the Water Lilies,” she stated as if it were readily apparent Dutch realism.

Whenever Lilith appeared, George had the sensation of walking from a pitch-black room into the piercing sunshine. He needed time for his eyes to adjust. When they did, he didn’t approve of what he saw. Her lustrous auburn locks, adorned with flowers, were loose and flowing over her azure robe and gauzy shawl. From the way the thin silk of her robe rested on her ripe contours, he could only guess that she wore no semblance of undergarments. That tiny vein running over his temple began to throb, as did another part of his body.

“There, there.” She hugged the distraught artist. “Don’t let the horrid Lord Marylewick distress you. He has the sensibilities of a dishcloth.”

She impaled George with a glare. “You see, Lord Marylewick, it’s about capturing the ethereal and fleeting. Those moments when the beautiful morning light illuminates the garden in all its blues, greens, and golds. It is not a representation of reality, but a sensation captured in time. A sensual impression of a moment. And philosophically, we could argue that all we have are mere impressions of a greater reality.”

George’s mind had left off after the “impression of a moment” part. With Lilith now standing beside the painting, he could see the resemblance in the flowing gown and hair and splotches.

“Lilith!” he barked. “That had better not be your impression in those ethereal blobs.”

By God, she was a grown toddler. He couldn’t turn his back on her for a moment or she would be playing near fire or gleefully shedding her clothes for some filthy-minded artist. He didn’t wait for her answer but seized her wrist and dragged her through the nearest door, which led to a paneled study with a leather sofa stacked with pillows. Cluttering the walls were paintings of pale-skinned, nude ladies gazing off to some sorrowful horizon. Luckily, these paintings appeared to be from King George III’s reign, when Lilith hadn’t been born yet to pose for them.

He shut the door behind them. She sauntered to the mirror and began to curl her locks around her finger and then let them unfurl in spirals about her cheeks. There was a dangerous, ready-for-battle tilt to the edge of her mouth, lifting the little mole above her lip.

“Lilith, did you pose for that…that…Tart Amid Blue Pigeon Cack painting? And in a rag even a Covent prostitute would think twice about wearing for fear of attracting the wrong clientele?”

Anger flashed in her eyes for a half second, and then a delicious smile curled her lips. A warm shiver coursed over his skin.

“And what if I did?” Her eyes, the color of coffee, gazed at him from under her thick lashes. He couldn’t deny their sultry allure. “What would you do? Tuck me away to another boarding school? But I’m all grown up.” She shook her head and made a clucking sound. “What to do with a grown woman who dares to have a mind of her own?” She snapped her fingers. “Ah, why not control her by taking away her money?”

With gentlemen and ladies of his set, he might say that he “spoke on the level” or “gave the news straight.” There was nothing straightforward or level about Lilith. She was all curves and turns. Conversing with her was akin to Spanish flamenco dancing with words.

“I never took your money away,” he said, feeling like a weary father cursed with an errant, irresponsible child. “And if I truly controlled you, I would never have consented to your living with your father’s cousins. Your grandfather warned me about the Dahlgrens. Nor would I have consented to use his hard-earned money for this ridiculous party. Or allowed you to pose for illicit impressions of fleeting moments.”

“Good heavens, I never posed for anyone! The painting was in the man’s imagination—that mental faculty you are woefully missing, darling. I merely dressed as the muse in the painting as a lark for the exhibit opening.” She tossed back her wrists. “You know, a muse who inspires artists to great heights of fancy.”

“Lilith, the only people you are inspiring are unsavory men to low depths of debauchery.”

“Unsavory men?” She raised her arms and draped her gauzy shawl across his head and over his eyes. “I didn’t know you found me inspiring, Georgie.” The peaks of her unbound breasts lightly brushed against his chest. Ungentlemanly desire pooled in his sex.

“Lord Marylewick,” he corrected in a choked voice and pulled her garment from his person. “And try to behave with some semblance of propriety.”

“Propriety, propriety, propriety.” She tapped her finger on the side of her mouth, as if she were searching her memory for the meaning. “I remember now. It’s when you address a lady, such as myself, as Miss Dahlgren.”

“I’m sorry,” he said. “I didn’t realize I had addressed you inappropriately. But if one insists on acting like a child… You are, what? Three and twenty, and continuing to romanticize this ramshackle lifestyle that any lady of good sense would—”

“It’s the Lord Marylewick patronizing play!” She clasped her hands. “I adore it! In fact, I know every line. Wait. Wait. No, don’t continue.” She withdrew the cane and hat from his hand, letting her fingers flow over his skin. “Allow me.” She placed the hat over her head, the flowers sticking out around the brim. She scrunched her eyebrows. “It’s high time you grew up, my little lamb, and threw yourself to the wolves of high society.” She croaked like a stodgy man of seventy-five, not George’s thirty-one years.

He regretted coming here. He should have driven home to gentle, fictional Colette. And when they hauled Lilith into police court, he would say to the judge, “You see what I must suffer?”

 

 

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About Susanna Ives

I am a mother to fabulous, brilliant, gorgeous children. When I am not writing, I am a part-time web developer/goddess. I drink Vouvray and listen to Brazilian Jazz, Wynton Marsalis, Astrud Gilberto, Bruce Hornsby, Ray Charles, Diana Krall, Willie Nelson and Ella Fitzgerald.

I can cook some mean Southern butter beans. I love my children, that guy I married, running, my smart phone, the sound of rain, and poems by Billy Collins. In fact, I love poetry in general, but don't write a word of it. I've followed my crazy Viking husband through Denmark, Sweden, Italy, Germany, France, Netherlands, Belgium, England, and Scotland.

I am a member of the Romance Writers of America and currently serving as president of the Beau Monde - RWA Special Interest Chapter for Writers of Regency Romance Fiction .

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